A Valentine from Marian

This year’s Valentine card from Marian Bantjes was a design laser-cut from a repurposed Christmas card. (Weeks in advance of the day, she was soliciting donations of old cards via Facebook.) Each card is therefor unique, as far as the card design is concerned. An additional delight was the illustration of a Cupid’s arrow-shot Santa [...]

Authenticity is a Groove

Years ago, I worked at a national historic site on Boston’s Freedom Trail. A frequent question of visitors was “How much of the building is original?” I knew what they meant by the question but sometimes I felt waggish (or was a smarmy asshole, depending upon your point of view) and would answer that it [...]

Has design been “Dirty?”

I’ve posted two relatively lengthy responses to a new essay by Steven Heller, “The Decade of Dirty Design,” at Voice: AIGA Journal of Design. I contend that the label doesn’t encompass the entirety of design activity, focusing on a singular but not definitive exponent of design activity. I first offer a deliberately provocative (and arguably [...]

Essays and more in Emigre No. 70

Emigre No.70: The Look Back Issue: Celebrating 25 Years in Graphic Design, the 512-page compendium of the storied magazine has been published by Gingko Press. It includes full reproductions of three of my essays, a handful of quotes on the end papers, and my original letter to the editor in 1996 in a small [...]

Hear me, hear me

To listen to an interview with me on Design Matters with Debbie Millman from March 17, 2006, click here.

Our symbol:

The hexahexaflexagon

is the symbol-artifact of Ephemeral States. It is a folding paper object composed of 19 equilateral triangles that displays six different faces of six triangles. Three of the faces will open to two other faces, the other three will open to one. To view a short video on how to flex a hexahexaflexagon click here. (Video by Peter Eudenbach)

Our flag:

Featured picture

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